LOGIN WITH:
Subscribe to depesha.com
  • Join DEPESHA.COM’s newsletter to keep up-to-date with the most viewed stories. E-Mail Address:

DEPESHA RUSSIAN LIFESTYLE MAGAZINE  >  multimedia  >  The Tall Order: Stop Motion Rise of Maria A. Romero

The Tall Order: Stop Motion Rise of Maria A. Romero

There can be no second chances in the industry that manufactures first impressions. Any fashion debut is fraught with epic expectations. The San Francisco Academy of Art University Graduation Fashion Show attracts as much critical and professional attention as any fashion week. To showcase in front of 200 who-is-who of the couture elite is perhaps the tallest order on the beginners market. This year, one designer managed to impress the harshest audience. And she did it with no models in sight.

Maria A. Romero decided to forgo the traditional runway show in favor of a short stop animation film. For this unorthodox move, her collection was scaled back to a set of specially made dolls.

 

 

“Dulces de Reliquias” is a poignant tribute to Maria’s Mexican childhood. It was inspired by the texture and colors of traditional candies popular during nativity celebrations at Christmas. The gold-painted dolls have clay heads with flowing hair from Peruvian lambs. Silk, chiffon, organza, taffeta, and tulle layer into dreamscapes of fragile innocence. The lasting impression is at once disarming and foreboding.

Following the presentation, Sarah Burton, one of the guests of honor at the ceremonies, offered Maria an internship with Alexander McQueen. Seems a sweet childhood prayer was answered. DEPESHA caught up with Maria on the brink of her success.

 

Student Maria Romero, Simon Ungless, and Sarah Burton. Photo Courtesy of Randy Brooke.

 

 

Why did your fashion film resonate so much with the audience?

Maybe the reason for its emotional appeal is because I really put my heart and soul into these dolls. Especially in the most challenging eleventh hour when my body and mind were tired, I was hungry and there was no food in the fridge because I spent it all on fabric and materials and trying to make my vision work. I’m really happy it shows.

 

How do you follow up on such an exciting fashion debut?

I did not expect this much recognition for this film and I’m so grateful for it. I can’t promise you an animated sequel but I can promise great works to come. I cannot remember who said it, but they were asked if they could dress a lady who wears Gucci, Valentino, Dior and Prada… And the designer answered, “No, because she’s not interested in fashion, just labels.” I would like to continue to see fashion as a form of art.

 

How did you come to study fashion in the first place?

I was born in Santa Barbara, but I was raised in Miramar, Mexico. I grew up in that environment where all the women in my family have been seamstresses at one point in their lives. I loved watching them sew, crochet, knit and embroider. I returned to California as a teen and by the time I was a senior high school I knew I wanted to go into fashion design.

 

Why did you choose Academy of Arts University?

When I searched for fashion schools, the Academy’s motto “By Artists for Artists” really clicked with me. It made it stand out over the others. And I fell in love with San Francisco, its diversity and passion for the arts.

 

What was it like to collaborate across mediums with animation students at AAU?

I learned the impact of what a team of people can do! The most valuable and practical thing I learned was the importance of scheduling to make everything happen. Oh, and how to make dolls for stop motion animation! I think it’s really important to recognize the people that helped in this collaboration: Travis Weaver, Victoria Simiele, Mireya Francoso, Dorthy Thielsen, Federico La-Tona, Benjamin Arthur, and Luke Night! I couldn’t have done this film without them.

 

It helped you land a coveted internship with the House of McQueen…

It’s been a dream, because I’ve always looked up to Alexander McQueen. He stood outside the box. I am so grateful to have this opportunity and so honored to be able to work with Sarah Burton. I’m just really excited to learn everything they have to offer.

 

Do you think fashion can change the world?

No, but it can inspire people to make a change in their life and around them.

 

What question(s) do you ask yourself most often?

Whether I’m painting, designing or even changing my clothes I always ask myself, “Is this me?”

 

Stephan Rabimov, Alexey Timbul

 

Comments